A carefully curated and refreshingly diverse piano collection for Grade 5+ players, Music We Might Have Played offers not only engaging repertoire but a genuine gateway to further musical discovery.

A review of Birmingham Bach Choir at Bournville Parish Church, featuring Rutter’s Requiem, Kodály’s Laudes Organi, and organist Martyn Rawles in a light-filled programme.

A quick-take review of Bluey: First Ever Piano Book, exploring how this playful resource invites young beginners to discover the piano through curiosity, imagination, and shared music-making.

Discover how sight-reading can develop naturally through curiosity, play, and exploration - a lifelong skill for every musician and teacher.

A closer look at ABRSM’s Jazz Piano Solo Pieces Grades 6–8 from (2026) - a useful new collection with a few important caveats for teachers and players.

A mindful approach to music exams puts students first, helping them thrive, grow, and develop beyond grades.

A review of Puppet Theatre by Jakub Metelka – 20 imaginative miniatures for students and recitals.

Nervous about an audition? Discover practical musical theatre audition tips for students - from choosing the right song to handling nerves.

Review of Angeline Bell’s My Forest Notebook – 15 lyrical piano solos for intermediate players, inspired by woodland and trees.

A gentle reflection for private music teachers on why taking time off is essential for sustainable teaching, renewed creativity, and long-term wellbeing.

Alexis Ffrench’s Classical Soul Vol. 1 offers piano music that speaks straight to the heart. In this in-depth review, discover why this expressive collection is already a favourite among pianists and teachers.

It’s a question that comes up time and again when I talk about digital music exams - and one I’ve now put directly to three of the main exam boards.