Welcome to David Barton Music in Lichfield
We hope you’ll find this site refreshing and informative. Whether you’re interested in music lessons, new pieces to play, a unique musical card or an accompanist for your exam, we look forward to hearing from you soon. David’s popular and successful teaching practice has been running for over 10 years; this is borne out in the wide area covered with pupils currently travelling from Sutton Coldfield, Tamworth, Four Oaks, Rugeley, Stone and of course, Lichfield itself.
Are the aural tests getting you down?
New from David Barton Music is a series of flexible and cost-effective packages to support and help exam candidates with the aural tests. Whatever your instrument, whatever your aural’s been like to date, and whatever your grade, we can help. Whether you need a bit of last-minute practice, or whether you’re not sure even where to start, one of our packages will suit you. For more information, click here.

New Releases
Catalogue Number: -
ISBN: -
ISMN: -
Instrumentation: Organ
Publisher: Fagus Music
Difficulty Level: 4-5
Year of Publication: 2010
Duration: 3 minutes
Availability: In Print
Printed Copy: RRP £18.00
In the Fagus Book of Quiet Voluntaries for Easter
PDF Copy: RRP £13.50
Sheet Music Sample (Link)
Audio Sample (Link)
A short interlude on this traditional Easter carol, suitable for the quieter moments in the season. Also suitable for use at other times of year and would make a nice addition to a concert or recital.
Reviews
This collection of 27 pieces provides quieter pieces for use as opening voluntaries during the Easter season, specifically composed so that the results ‘should be capable of being played by players of modest ability, or quickly prepared by those who are more skilled’. The book succeeds in these aims, with a collection in a wide variety of styles. Chorale and hymn tunes form the basis; Noël Nouvelet appears four times, each with a very different approach. Some pieces are quite conventional in their harmonic approach, others more adventurous, but the standard is universally good. There is something for everyone, and the use of these pieces need not be confined to the Easter period. The only non-contemporary composer included is Pachelbel, represented by a Partita on Salzburg and a chorale prelude on ‘Christ lag in Todesbanden’. This is a highly useful collection.
Trevor Webb in Church Music Quarterly (March 2012)
Potential Uses
Concert, Recital, Church, Worship, Easter, Holy Week, Passiontide, Good Friday








